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Raggaetown                                                         

bob marley bob marley

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Raggae life              

Owner: nandotche
Created on: 3/5/2007
Number of members: 45



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nansbrother - Brazil 9 months ago
just rave ya
   
SantosCy2 - Monroe,VA 9 months ago
i was in here hugs , cindy your love
   

 

SEXILIONESS - Maple Heights,OH 32 months ago
U HAVE NOW BEEN RAVE HOLLA BACK
   

 

zoie40 - Panama City,FL 32 months ago
Hi I joined and raved ya great community
   

 

BillMeyer - Bradenton,FL 32 months ago
hi there. welcome to kaneva, here is one rave for you. here on kaneva all is about rave and get rave back. hope see you on my page to rave me back. when you there please dont forget to also live on comment , let me know how i doing in my page, dont forget to take a look in my media, is over 150 videos to chose, hope you like it. Any help o start all in here let me know. Im just one click way. thanks abd enjoy your new world. nandotche
   
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 Blogs it 
Mar 5, 2007
music is life
Bob Marley gave the world brilliant and evocative music; his work stretched across nearly two decades and yet still remains timeless and universal. Bob Marley & the Wailers worked their way into the very fabric of our lives.

 

"He's taken his place alongside James Brown and Sly Stone as a pervasive influence on r&b", says the American critic Timothy White, author of the acclaimed Bob Marley biography CATCH A FIRE: THE LIFE OF BOB MARLEY. "His music was pure rock, in the sense that it was a public expression of a private truth."

 

It is important to consider the roots of this legend: the first superstar from the Third World, Bob Marley was one of the most charismatic and challenging performers of our time and his music could have been created from only one source: the street culture of Jamaica.

 

The days of slavery are a recent folk memory on the island. They have permeated the very essence of Jamaica's culture, from the plantation of the mid-nineteenth century to the popular music of our own times. Although slavery was abolished in 1834, the Africans and their descendants developed their own culture with half-remembered African traditions mingled with the customs of the British.

 

This hybrid culture, of course, had parallels with the emerging black society in America. Jamaica, however, remained a rural community which, without the industrialisation of its northern neighbour, was more closely rooted to its African legacy.

 

By the start of the twentieth century that African heritage was given political expression by Marcus Garvey, a shrewd Jamaican preacher and entrepreneur who founded the Universal Negro Improvement Association (UNIA). The organisation advocated the creation of a new black state in Africa, free from white domination. As the first step in this dream, Garvey founded the Black Star Line, a steamship company which, in popular imagination at least, was to take the black population from America and the Caribbean back to their homeland of Africa.

 

A few years later, in 1930, Ras Tafari Makonnen was crowned Emperor of Ethiopia and took a new name, Haile Selassie, The Emperor claimed to be the 225th ruler in a line that stretched back to Menelik, the son of Solomon and Sheba.

 

The Marcus Garvey followers in Jamaica, consulting their New Testaments for a sign, believed Haile Selassie was the black king whom Garvey had prophesied would deliver the Negro race. It was the start of a new religion called Rastafari.

 

Fifteen years later, in Rhoden Hall to the north of Jamaica, Bob Marley was born. His mother was an eighteen-year-old black girl called Cedella Booker while his father was Captain Norval Marley, a 50-year-old white quartermaster attached to the British West Indian Regiment.

 

The couple married in 1944 and Robert Nesta Marley was born on February 6, 1945. Norval Marley's family, however, applied constant pressure and, although he provided financial support, the Captain seldom saw his son who grew up in the rural surroundings of St. Ann to the north of the island.
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The two youths were fascinated by the extraordinary music they could pick up from American radio stations. In particular there was one New Orleans station broadcasting the latest tunes by such artists as Ray Charles, Fats Domino, Curtis Mayfield and Brook Benton. Bob and Bunny also paid close attention to the black vocal groups, such as the Drifters, who were extremely popular in Jamaica.

 

When Bob quit school he seemed to have but one ambition: music. Although he took a job in a welding shop, Bob spent all his free time with Bunny, perfecting their vocal abilities. They were helped by one of Trench Town's famous residents, the singer Joe Higgs who held informal lessons for aspiring vocalists in the tenement yards. It was at one of those sessions that Bob and Bunny met Peter McIntosh, another youth with big musical ambitions.

bob marley bob marley

In 1970 Aston 'Family Man' Barrett and his brother Carlton (bass and drums respectively) joined the Wailers. They had been the rhythm nucleus of Perry's studio band, working with the Wailers on those ground-breaking sessions. They were also unchallenged as Jamaica's hardest rhythm section, a status that was to remain undiminished during the following decade. The band's reputation was, at the start of the Seventies, an extraordinary one throughout the Caribbean. But internationally the Wailers were still unknown.

In the summer of 1971 Bob accepted an invitation from Johnny Nash to accompany him to Sweden where the American singer had taken a filmscore commission. While in Europe Bob secured a recording contract with CBS which was also, of course, Nash's company. By the spring of 1972 the entire Wailers were in London, ostensibly promoting their CBS single "Reggae on Broadway". Instead they found themselves stranded in Britain.

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